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The inkstand is a replica of the Quirinal Monument in Rome and was made to commemorate its erection during the pontificate of Pius VI. The composition includes an Egyptian obalisk, and four horse tamers that can be swung from their bases on levers to reveal an inkwell and a sandbox; Sphinxes' headdresses conceal candle sockets; one of the drawers contains an assortment of tromp l'oeil engravings; two doves can be made to kiss by means of a lever located in the fountain; the inkstand has a leather carrying case that resembles a medieval fortified town, with gates, battlements and a bell tower.

The Coaci Inkstand, 1792

Vincenzo Coaci

G310

stairway around a fountain in a garden; tall trees at L; 2 sculptures at overlook at top of stairs at center; figures at LLC and at overlook

The Grand Staircase of the Villa d'Este at Tivoli, 1760

Jean-HonorĂŠ Fragonard

G310

General Brune, 1763-1815, was commander-in-chief of the army of Italy and of the French forces in Switzerland; in this portrait he wears 'petit uniforme' of a general of an artillery division

Bust of General Guillaume Brune, c. 1800

Joseph Chinard

G310

drinking cup carved in the form of a nautilus shell

Drinking cup, c. 1600

JĂśrg Ruel

G310

three panels of façade inlaid with designs of Nonesuch Palace, upper and lower portions with dormer windows of the same; panels framed by bead-and-real border; three drawers in lower portion; hardware of iron

Chest, c. 1590-1610

England

G310

Catafalque Flambeau, wrought iron bobèche tray (6-3/8 in.), wooden bobèche with pomegranate seed and leaf carvings (6-½ in.), baroque carved structure skeleton(49-½ in.), iron pole shaft (40-½ in.), wrought iron tripod base (14 in.), triangular marble plinth, overall H.112 in., gessoed polychrome and gilded wood and wrought iron

Funeral torch, c. 1720

Italy

G310

A Roman legionary fallen in battle embraced at the moment of death by the genius or spirit of victory.

Kiss of Victory, 1878–1881

Sir Alfred Gilbert

G310

oak veneered with ebony, mounted on all four sides and lid with rectangular slate plaques inlaid with lapis, agate, and marble; design of flowers tied with ribbons, a parrot and butterflies, ormolu leaf sprays on sides, corners have female masks in agate with ormolu ribbons

Jewelry box, c. 1730

Giovanni Battista Foggini; Maker: Grand Ducal Workshops

G310

German Renaissance, probably made in Nuremberg for the residence of Archbishop Sigismund of Magdeburg; metal handles, locks

Schrank (cabinet), c. 1640

Germany

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth thought to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground

Covered vase, one of a pair, 1780

Sèvres Porcelain Factory; Decorator: Fallot (birds); Decorator: Charles-Eloi Asselin (figures); Decorator: Vincent Taillandier (ground pattern); Maker: Jean-Claude-Thomas Duplessis (gilt-bronze mounts)

G310

Portrait Bust of Pope Clement X, modeled c. 1668 (cast late 17th century)

Circle of Gianlorenzo Bernini

G310

Dims of vase(a) only, 'b' stored in D12.10 MS

Vase, c. 1758

Chelsea Porcelain Manufactory

G310

Wooded landscape with watermill, on the right bank of stream to left of center, a huntsman in a scarlet coat. Beyond the mill in left background, a tile-roofed cottage. To the right a herdsman with cattle in a road. The scene is the same as that in the Louvre (2404) painting in which the mill is seen from side. The figures are attributed to Lingelbach. Frame 84.32, c.1650, Dutch ebonized fruitwood ripple frame, 42 x 49 in. Purchased from Paul Mitchell, London. The William Hood Dunwoody Fund

Wooded Landscape with Watermill, c. 1665

Meindert Hobbema

G310

possibly a cast of the bozzetto of the larger sculpture modeled by Giovanni Bologna for a statue at the Medici Villa of Castello, outside Florence; base is of a later date

Florence or Venus, first half of the 17th century

Italy

G310

base made up of parts of gilt metal sculptures attached together in a surreal fashion: human, animal and bird feet, dolphins, horse head, human figures and body parts, key, scrolls, bird's head, tiny grate section; top wishbone-shaped element made of white marble with grey veins, with two candle cups

%C2%A9 Fernando Campana %2F Humberto Campana

Aleijadinho Candlestick, 2011

Fernando Campana; Designer: Humberto Campana

G310

three-part sculpture; a=bust of a woman in gilt bronze; woman wears her hair in a thick bun in back with thick, curly portions framing her face; billowing headdress with point of fabric at center of forehead; woman wears long-sleeved garment with wide cuffs and small bows at shoulders; PR hand on torso below PL breast; PL hand held open at waist; b=black marble pillow/cushion with bronze tassels at front corners and decorative band of chevrons; c=front black marble portion carved to resemble a curtain/drapery with incised gilt inscription

Princess Anna Colonna Barberini (1601-1658), c. 1658-61

Portrait modello by Jacomo Antonio Fancelli; Gilder: Carlo Mattei; Sculptor: Stonemason: Gabriele Renzi; Architect: Francesco Contini; Caster: Francuccio Francucci

G310

image is a dark scene in humble home interior with central fire as only source of light; woman in lower R kneeling next to a hanging cauldron, holding a pan over fire; woman is wearing a cap, blue blouse and brown skirt; at L is a man holding an infant on his lap; a young boy stands next to man, resting hand on father's leg; man is smoking a pipe, wearing flat cap, blue shirt, red neckcloth, and pointed Dutch clogs; cat at lower L seems interested in a pitcher on the floor next to the fire; framed in large antiqued gold frame with checkered texture; D-rings and foamcore backing verso

Pancake Day, c. 1885

Jozef IsraĂŤls

G310

large pearly iridescent shell fashioned into a cup; gold edging around opening with text and leafy design; dragon with wings and green eyes at front of raised portion of shell; leafy element in gold at top of raised portion with feet only remaining on top of ball; four feet in the form of snails; bell-like form at center bottom between feet; floral-like designs in red and green stones on body of shell

Turban snail shell cup, c. 1560

Unknown , South German or Flemish, 16th century; Artist: Unknown , India (Goa or Gujarat), 16th century

G310

ovoid foot with beaded edge and silver rim decorated with scrolls and flowers; long stem with silver and gilt figure of Neptune with long hair and beard, holding a trident, riding a hippocamp; Neptune wears elaborate scrolled crown; nautilus shell forms cup, decorated with gilt and silver mountings with swags, a grotesque face, two caryatids, and a satyr, with two crabs and two turtles holding decorative silver ball pendants; topped with Jonah (?) emerging from the whale's mouth; whale ridden by Cupid (?), holding gold reigns

Nautilus shell cup, c. 1660-1680

Unknown

G310

stemmed goblet with wide foot; conical shaped at top; engraved scrolls and text (in Latin?) on conical section; domed cover with similar engraved scrolls and text in block letters; organic knob; clear glass

Goblet and cover, 1685

Willem van Heemskerck

G310

Rich light brown patina with lacquer. The figure stands with left arm raised and the weight resting on the right foot. The left foot is placed on a skull, a very rare feature. On stepped, circular, mottled green base. On the base of the bronze, the number 27 (Mayer Collection).

Anatomical Man (EcorchĂŠ), c. 1600

Italy

G310

Daedalus Attaching the Wings to his Son, Icarus, early 18th century

France

G310

Still life showing bust of Francis I of Este with attributes armor, a globe, gloves, a silver platter, a bird and an astrolabe. Unsigned.

Allegorical Still Life with Bernini's Bust of Duke Francesco I d'Este, c. 1660

attributed to Francesco Stringa

G310

Number on object is difficult to read; soft paste porcelain with floral decor in underglaze blue

Dish, late 18th century

Netherlands

G310

Free standing figure, modeled in the round, with a rich brown patination.

Justice, early 16th century

Attributed to Niccolò Tribolo

G310

Side table, late 17th century

Attributed to Giovanni Paolo Schor (born Johann Paul Schor)

G310

landscape with Cornard Church in the distance

The Fallen Tree, probably between 1750 and 1753

Thomas Gainsborough R.A.

G310

Free standing figure, modeled in the round, with a rich brown patination.

Faith, early 16th century

Attributed to Niccolò Tribolo

G310

view in the Roman Forum

View in the Roman Forum, early 1650s

Viviano Codazzi; Artist: Michelangelo Cerquozzi

G310

Mythology Telemachus Eucharis Mentor Minerva

Telemachus and Eucharis, 1824

Raymond Auguste Quinsac Monvoisin

G310

Leda and the Swan, c. 1710

Antonio Montauti

G310

ebony frame with gilt acanthus leaf decoration; central bust of Flora on top crest rail; original mirror panels

Mirror, c. 1700

Italy

G310

panels with landscape scenes of a high-gabled house on the bank of a river; sailboat on river; cloudy sky with birds. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray; underglaze blue

Vase, one of a pair, 17th century

Netherlands

G310

panels bearing landscape which shows high-gabled house on a river bank; sailboat in river nearly; cloudy sky with birds. Shaped panel framed in blue band with large six-petaled flower at top and bottom. Slightly flaring, six-sided base, and shaped six-sided rim; on back of vase green pine spray. Colors blue, green, yellow, rust; greenish glaze. Glaze covers inside bottom of food. Underglaze blue.

Vase, one of a pair, 17th century

Netherlands

G310

covered vase, cat. card does not list 'a-b' for vase and lid; white ground, painted with turquoise and gold circle-and-dot pattern (oeil-de-perdrix); the wide decorative bands are adorned with exotic birds and chinoisirie. The subjects and decorative grounds link them to a pair in the collection of Queen Elizabeth throught to have been bought by Marie Antoinette in 1779. The similar oeil-de-perdix of both pairs may be attributed to Vincent Taillandier, who specialized in this type of patterned ground

Covered vase, one of a pair, 1780

Sèvres Porcelain Factory

G310

Leather case to silver ink stand

Case for inkstand, 1792

Vincenzo Coaci

G310

Figure

Ganymede and the Eagle, c. 1710

Antonio Montauti

G310

Carved wood and gilded console top is of breche d'Aleppe marble; frame and stretchers covered with a profusion of ornament; legs in front are double - all entwined with laurel. The stretcher supports a large classical vase with a Greek border surmounted with an acorn finial and draped with floral garlands and laurel sprays. On every part of the table are eloborate floral swags. Louix XVI period.

Console table, c. 1775-1800

Italy (?)

G310

Genre.

Gathering of Gamblers with Hurdy-Gurdy Player, c. 1660

Master of the Procession

G310

inscribed inside 'Constant,' a Paris modeler of 1795-1800, (possibly after a design by Boizot)

Love Stung by a Bee, c. 1783–1785

Constant; Modeler: Copy after Louis-Simon Boizot; Manufacturer: Formerly attributed to Sèvres Porcelain Factory

G310

Figure standing in flowing robes with dove, round grassy base with tree stump.

Allegorical Figure of Peace, c. 1780

Sèvres Porcelain Factory

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered vase, from a five-piece garniture set, c. 1710

Netherlands

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

Kas or Zeeuws Cupboard, oak inlaid with various woods; in two sections. Donor Kunsthandel K. and V. Waterman

Kast or Zeeuws cupboard, 17th century

Netherlands

G310

a bronze reduction fabricated by an unknown craftsman after a larger marble begun by Marsys and completed by Flamen

Boreas Abducting Orithyia, c. 1700

after Gaspard Marsy; Sculptor: after Anselme Flamen

G310

Giovanni Volpato, Europa and the Bull,Bisque, ceramic-porcelain, Italian, XVIII c. cat. card dims 10-1/2 x 9-1/4 x 7-1/4'; no photo. on card; neg. no. 14-265.1.4

Europa and the Bull, 1790s

Giovanni Volpato

G310

ginger jar shaped with ribbing on body and lid; lid is high dome with round finial; white ground decorated with flowers and birds near water in blue, green and orange

Covered Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

Satyr and Nymph, 17th century

Ferdinando Tacca

G310

slender body with flared mouth; ribbing on body; white ground decorated with flowers and birds near water in blue, green and orange

Vase, from a five-piece garniture set, c. 1710

Netherlands

G310

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